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Here in Harlem

Poems in Many Voices

Audiobook
1 of 1 copy available
1 of 1 copy available

"In his introduction, author Walter Dean Myers explains that his collection of poems about Harlem was inspired by SPOON RIVER ANTHOLOGY. The poems in HERE IN HARLEM were made to be performed—listeners hear a chorus of voices from different eras and walks of life, full of joy and sorrow, pride and pain as they shed light on the African-American experience. Thirteen talented narrators share their stories, and all of them bring utterly authentic emotions to their vocal performances. The package includes a lovely print book, but listeners won't need to see the words or photographs to be swept up by this beautiful, masterful recording." —J.M.D., Winner of AudioFile Earphones Award © AudioFile 2011

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    • AudioFile Magazine
      In his introduction, author Walter Dean Myers explains that his collection of poems about Harlem was inspired by SPOON RIVER ANTHOLOGY. The poems in HERE IN HARLEM were made to be performed--listeners hear a chorus of voices from different eras and walks of life, full of joy and sorrow, pride and pain as they shed light on the African-American experience. Thirteen talented narrators share their stories, and all of them bring utterly authentic emotions to their vocal performances. The package includes a lovely print book, but listeners won't need to see the words or photographs to be swept up by this beautiful, masterful recording. J.M.D. Winner of AudioFile Earphones Award (c) AudioFile 2011, Portland, Maine
    • Publisher's Weekly

      Starred review from November 15, 2004
      In nearly 60 poems, Myers (145th Street
      ) treats readers to a tour of Harlem's past and present, its hopes and fears, through the voices of narrators young and old. Together they create a pastiche of the community's fixtures, the church ("Wake up Lazurus! Wake up Paul!/ Wake the congregation and lift their hearts"), the barber shop for men, the hairdresser for women ("My mouth is sealed, you don't even see a crack,/ 'Cause I ain't the kind to talk behind nobody's back"), rent parties (where people gathered to eat, drink and to help the host pay the rent) and Sylvia's restaurant. "Clara Brown's Testimony," parts I-IV provides a continuity through the collected impressions, as she describes her love for Harlem, through heartbreak (when she and her sister do not make the Cotton Club chorus line, she's told it's because her skin is too dark: "That was the day I learned that being black wasn't no simple thing, even in Harlem") and more often joy. Myers offers differing perspectives on milestone events such as Jackie Robinson joining the Dodgers, as well as subjects closer to home, such as young love, or a pairing of poems by a father and his drug-addict daughter. Another especially moving cluster of poems rotates among three WWII vets from the 369th Infantry, known as the "Harlem Hellfighters," one of them blinded by a Southern sheriff after the war, on their way home. And Harlem is indeed home, to all of the people who give voice to its pains and pleasures. Readers will want to visit again and again. Ages 12-up.

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  • English

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